What can we learn from the lyricism of Peter Weir? In this episode, we explore the deft touch of Peter Weir who handles his with lyricism and is in some ways more interested in the theme of two world colliding than a standard cop thriller of its time. There is also still a lot to be said for playing a scene out without the need for words. Peter Weir perhaps does get the credit he merits from the industry but perhaps few are aware of the Australian classics he had made like “Picnic at Hanging Rock” and how this helped him prepare for this, his first real Hollywood debut.
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In this series of podcasts hosted by film instructor John McNulty (EICAR the International School of Film and Television); a film is discussed for its propensity to teach us about the craft of filmmaking and screenwriting and to provide a chance to cinephiles to get out what they’ve been keeping inside. A range of guests will include filmmakers, educators and enthusiasts of all stripes.
A Discussion about Witness with Carrie Specht